Francisco Calvelo's, Santiago de sangre (Vampire Prison), is a short film that incorporates elements from Buñuel and Dali's Un Chien Andalou (An Andalusian Dog) as well as George Romero's Martin ... mix in some David Lynch-like atmosphere and just a touch of The Da Vinci Code (there, I've said it), and you have one bloody little masterpiece.
So you're finally showin' the right side of your face. Well, I seen it all along. This is some kinda drug you been givin' her. It's what's been making her act like she's been. Well, Ah'm goin' into town and Ah'm gunna tell them what you been up to.
Damn, and Xmas is over. Imagine the looks of delight on the faces of loved ones if you presented them with , The Exorcist Regan in Bed Head Knocker.
Here's what the actual description says:
Split-pea soup, anyone?
Head and bed bobble!
Disgustingly detailed bobble head.
In 1973, one film redefined the horror genre and created an instant pop sensation. This disgustingly detailed Exorcist Head Knocker comes from one of the most shocking movies ever made. Featuring Regan in that famous bed scene, this is one collectible you don't want to miss. "Possess" it!
So what if the dead came back suddenly and instead of being flesh-eating monsters they were clean and healthy and dressed in nice clothing and wanted nothing more than to have their old jobs back and be reunited with their families?
Such is the dilemma that presents in the French film, Les Revenants (They Came Back). The first scene of the movie is of the dead causally strolling out of a small cemetery in a little French Town. At first the viewer is not sure who these people are, as they are dressed in mostly pastel colors and they all seem healthy and normal, if not somewhat dazed. Through a voice over we learn that for several hours one day, through out the world, anyone who has died in the last ten years has come back; and they’ve returned in perfect health and, seemingly, after a trip to the Gap (do the French bury their dead in khakis or sundresses?).
The local government of the small town treats the returnees like refugees and sets up some make-shift dormitories for them, all the while trying to figure how they can re-assimilate these people back into society. After they’ve given up trying to figure why and how the dead came back, they have to tackle the social and financial effects of a few hundred thousand extra bodies.
Early on it is discovered that the dead are about five degrees cooler in body temperature and that they don’t sleep at night (they just pretend to sleep). More and more it is noticed that the returned are also functioning like mildly autistic people, echoing what they hear from those around them and not interacting with normal people.
Soon it is found out that at night, groups of the returnees are meeting in secret and planning something. These scenes are some of the more chilling moments in an otherwise dry and slow moving movie…
…yes, there is a major problem with this film, and that is, once the fascinating premise is presented, the movie has no where to go and the wrap up is vague and very unsatisfying. The viewer is left with more questions than answers and might find him-self saying, “What was that all about?”
I consider myself a relatively bright person, yet I did not understand what the purpose of this tale was…if anyone else has seen it, I’d appreciate his or her two cents as I am kind of stumped. That’s not to say that I did not enjoy it; the first hour or so of They Came Back is moody and hypnotizing, however after that, it just kind of stumbles around like … well, like a zombie bumping into walls.
1977's "Ruby" is one delightful, trashy film : gore, gangsters, ghosts, a possessed teen, and best of all, a scene chewing, Piper Laurie as the titular character!Meet Ruby Claire: gun moll, floozy, singer and good time gal. It's 1935 and Ruby and her gangster beau, Nick (Sal Vecchio) are having a romantic evening deep in the swamps of Florida. There is champagne and sweet talk and canoodling ... until, suddenly, a group of thugs show up and blast poor Nick to gator-bait.As Ruby watches her lover being shot, she falls to the ground and goes into labor, giving birth to her and Nick's daughter, Leslie.
Fast forward to the 50's and we find Ruby has opened up a drive-in-movie-theater not far from the swamp where Nick was rubbed out. Living in an old mansion that overlooks the drive-in, Ruby spends her time drinking, smoking, looking fabulous and dealing with her mute teen aged daughter (Janit Baldwin), her companion Vince (Stuart Whitman), and some blind guy in a wheelchair. Ruby has also provided jobs for the old gang (the men who shot Nick) whom all toil away at her drive-in. Much like Norma Desmond, Ruby still lives in the past and is haunted by the death of her lover. Did she have something to do with it, or was she just a patsy? Unfortunately, her daughter is of little comfort and since the kid does not do much but stand around and stare, all Ruby can do is look at her and think how much she resembles her father.
In my humble opinion, actress Janit Baldwin resembles Susan Sarandon. Before long, things start to go amiss at Ruby's and one by one her employees start meeting tragic ends ... one of the guys ends up hung by a reel of film in the theater's projection booth:Another one is bitch slapped by some phantom hands and is found strung up in a tree in the swamp:The best death is the lunkhead found in the soda machine, hoses stuck through his noggin so that when anyone tries to get a drink, they end up with nice big cup of plasma:And yet through it all, Ruby continues to look fabulous and drink.Did someone say, "Mildred Pierce"?Finally Ruby's pal, Vince brings in a paranormal doctor to get to the bottom of things. The doctor, played by Roger Davis, immediately senses that things are wacky at Ruby's place and despite the fact that crazy Leslie has tried to bite him, and Ruby has tried to seduce him, the doc tries to set thing right ... of course he fails miserably and on top of that, Leslie starts talking like her late father and starts hitting on her mother!!!If this wasn't bad enough, she also starts to go all Linda Blair on everyone! Ruby, at her wits end by now, is hearing her late husband calling to her from the drive in's speaker's, her daughter's mouth, and in her dreams ... it's enough to drive a woman to drink, which she does ... a lot.Remember that blind guy I mentioned? Well, Ruby decides to prove to Nick that she is really his girl by admitting to him that she was the one who blinded him! She even keeps his eyes in a jar in her bedroom just in case she ever had to prove the point to anyone!A lot of other thing happen as the movie rushes to it's ludicrous conclusion, but best of all, Piper Laurie has one more fab ensemble to model as she walks back to the swamp to reunite with her dead lover. Damn, she looks great in red!Ruby and Nick: Reunited and it feels so good ...Ah, a happy ending. Oh wait, what's this? Nick has now morphed into a cheap plastic skeleton and is dragging Ruby to the bottom of the swamp ... what's up with that?...well, here's what's up with that: according to the film's director, Curtis Harrington, the skeleton scene was tacked on to the end of the film at the studio's insistence to give the film a more horrific ending.
All in all, Ruby is a camp fest worth seeking out. I have not enjoyed a movie this much in some time. Piper Laure seems to be channeling Joan Crawford, Rita Hayworth and dozens of lesser known B-movie bad girls, and she nails it. The camp factor in this one is over the top, even the title song (sung by Laurie through out the film) "Love's So Easy" sounds like an authentic ditty from the 30's.
Granted, it took me a lot of searching to get this DVD, but it was well worth it.